展讯 | 重启·无界——章燕紫、王霄、于瑜三人作品展

策展人：臧藝茜

学术指导：孙欣

艺术家：章燕紫、王霄、于瑜

主办单位：合肥荣宝祥文化发展有限公司

地点：沫·美术馆

展期：2022.8.13-2022.10.13

 

此次展览以“重启·无界”为题，基于一个承载着无数人共有记忆的时间点展开朴素的追问，排空对于创作的一切预设和期待，回到最基本的生命状态，感知人类精神世界的精微与博大。

 

The exhibition is titled "Restart · Unlimited". Based on a time point that carries the shared memories of countless people, this exhibition starts a simple inquiry, empties all presuppositions and expectations for creation, and returns to the most basic state of life. It will make viewers perceive the subtlety and breadth of the human spiritual world. 

 

展览呈出三个相对独立的篇章，由章燕紫、王霄、于瑜三位当代艺术家的近年力作组成，语言形式丰富多样，涉及水墨、装置、版画、综合材料等多种媒介，非凡的思维角度和语言方式映现出她们之于传统基因、当代语境、内在自我的深刻省思。只是恰巧，她们同为“女性”。

This exhibition presents three relatively independent chapters, composed of recent masterpieces by three contemporary artists, Zhang Yanzi, Wang Xiao, and Yu Yu. Their artistic language forms are rich and diverse, involving various media such as ink painting, installation, printmaking, mixed media, etc. Their extraordinary ways of thinking reflect their profound reflections of traditional culture, contemporary contexts, and inner self. It just so happens that they are all "women".

 

章燕紫

江苏镇江人。毕业于中央美术学院，双硕士学位。中央美术学院教授，博士生导师。

曾在上海美术馆、今日美术馆、那不勒斯当代美术馆、香港医学博物馆、英国爱丁堡Surgeons’ Hall Museums和巴斯东亚艺术博物馆 (MEAA)举办个展，作品被中国美术馆、香港M+博物馆、中央美院美术馆、瑞士Musée Atelier Audemars Piguet等多家艺术机构收藏。

Zhang Yanzi was born in Zhenjiang, Jiangsu Province. Graduated from the Central Academy of Fine Arts, Zhang got her MFAs in both Chinese Painting and Literature. She is currently based in Beijing and she works as a Professor and PhD supervisor in Central Academy of Fine Arts. 

Her solo exhibitions were held respectively at Shanghai Art Museum, Today Art Museum, PAN, Palazzo delle Arti di Napoli, Hong Kong Museum of Medical Sciences, Surgeons’ Hall Museums and Museum of East Asian Art (MEAA). Besides, her works have been included in the collections of the National Art Museum of China, M+ Museum, CAFA Art Museum, Musée Atelier Audemars Piguet and private collections.

 

《过量》，160×150cm，丝质衣袍、 胶囊，2017年

 

《止痛贴》，13cm×8cm×7幅，止痛贴、水墨、中国画颜料，2022年

 

展览中，艺术家章燕紫在止痛贴上描绘佛影，将医学隐喻提升到精神救赎的层面，在神谕的召唤下，在以“艺”为“医”的精神疗愈路径中达成心灵与世界的某种平衡。

 

 

In this exhibition, Zhang Yanzi directly depicts the Buddha's shadow on plasters, elevating medical metaphors to the level of religious salvation. Under the call of the oracle, by using "art" as "medicine", a balance between the mind and the world is achieved in a spiritual way.

 

 

王霄

1986年生于山东济南

本科、硕士毕业于中央美术学院

2012年至今就职于中国艺术研究院

2022年进入中央美术学院攻读美术学博士

现为中国艺术研究院文学艺术院专职画家、国家二级美术师、北京工笔重彩画会理事、中国美术家协会会员。 

作品被中国版画博物馆、中央美术学院美术馆、黑龙江省美术馆、浙江省美术馆、江苏省美术馆、今日美术馆、深圳美术馆、深圳关山月美术馆、深圳画院、金陵美术馆、广州大新美术馆、青岛市美术馆、兴宁市政府、成都现代艺术馆、山西灵石版画基地、环铁时代美术馆等多家艺术机构收藏。

 

Wang Xiao

1986 Born in Shandong Provence,China

2008-2012  Graduated from Central Academy of Fine Arts,master

2012-Now  Working in Chinese National Academy of Arts, Member of Chinese artists association. 

In 2022, she enters the Central Academy of Fine Arts to study for a doctorate in fine arts.

Her works have been included in the collections of the China Printmaking Museum、CAFA Art Museum、Zhejiang Museum、Jiangsu Museum、Heilongjiang Museum、Today Museum，Shenzhen Museum，GuanShanyue Art Museum、Jinling Museum、China Engraving Art Museum、Chengdu contemporary Museum，Shanxi Art Museum、Guangzhou Daxin Museum.

 

《早春图－1》，155cm×97cm，水印木刻（独幅）宣纸 ，2021年

 

《略带表情的风景》，70cm×110cm，纸本设色，2021年

 

王霄则通过构建模糊化时空、朦胧欲望生发的隐喻式场景，在错置的时空中强化新的视觉表现，以印痕引申出物性的思考，凸显个体在复杂关系中的彷徨与思辨。

 

Wang Xiao builds metaphorical scenes of blurred time and space and hazy desires, intensifying new visual representations in the misplaced time and space, extending the thinking of physical properties with imprints, and highlighting the hesitation and speculation of individuals in complex relationships.

 

 

 

于瑜

 

1989年出生于青岛

2013年毕业于中央美术学院中国画学院，获学士学位

2020年毕业于中国艺术研究院，获硕士学位

现供职于中国艺术研究院文学艺术院

 

创作方向关注于传统资源的当代转化。作品以传统水墨材料介入当代议题，注重材料自身特性对创作观念的意义生产，形成了自己独特的表现语言和创作观。作品活跃于各种学术展览并被机构和个人收藏。

YuYu

Born in Qingdao in 1989.

In 2013, she graduated from the School of Chinese Painting of the Central Academy of Fine Arts with a bachelor's degree.

In 2020, she graduated from the China National Academy of Arts with a master's degree.She is currently working at the School of Literature and Art of the China Academy of Arts.

The direction of her artistic creation focuses on the contemporary transformation of traditional resources. Her works use traditional Chinese ink and wash materials to express in contemporary issues. She pays attention to the meaning of the material's own characteristics to the production of creative concepts and develops her own unique expression language and creative concept. Her artworks are active in various academic exhibitions and collected by institutions and individuals.

 

《作为生命的绢——7》，62cm×52cm，手工抽丝刺绣绢本设色，2017年 

 

《作为生命的绢——5》，40cm×88.5cm，手工抽丝刺绣绢本设色，2017年

 

 

于瑜则用绢布上抽下的丝线在绢上绣出了蚕蛾的形象，以此纪悼消逝于制丝工艺中的“蛾”。随即，又在绣好蛾子的绢布上绘制出各色的丝织品纹理，将显像的蛾子再次覆盖。颇具隐喻的创作行为为观者留下了无限的思考空间。

 

Yu Yu used the silk thread to embroider the image of a silkworm moth on the silk, in order to mourn the "moth" lost in the silk making process.Then, the moths were covered again with colorful silk textures painted on the silk cloth where they had been embroidered. The metaphorical creative act leaves infinite space for the viewer to think.

 

毋庸置疑，这三位优秀的艺术家正处在艺术能量的集中爆发期，作为重要的当代艺术个案，值得被持续记写、研究。